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Tragic is the right word to describe the friendship between Richard Wagner and Friedrich Nietzsche. At first the composer of the Gesamtkunstwerk and the philosopher with the hammer were full of admiration for one another, but later the young Nietzsche became increasingly disappointed by the older Wagner. In two vitriolic essays he rased him to the ground. As well as this fascinating story of the relationship between the thinker and the artist, the Flemish director Jan Fabre was also inspired by the thirteen groundbreaking opera masterpieces which Wagner wrote. In collaboration with writer Stefan Hertmans and German composer Moritz Eggert, he has constructed a dramatic opera in homage to one of his favourite composers.

credits

concept Jan Fabre direction Jan Fabre composition Moritz Eggert libretto Stefan Hertmans musical direction Moritz Eggert dramaturgy Miet Martens, Luc Joosten set design Jan Fabre assistent scenography Bert Heytens costumes Jan Fabre, Andrea Kränzlin vocals Lies Vandeweghe, Hans Peter Janssens performer Ivana Jozic, Gustav Koenings, Cédric Charron, Kurt Vandendriessche, Nikolaus Barton, Annabelle Chambon lighting design Jan Fabre, Jan Dekeyser technical manager Arne Lievens sound design Tom Buys intern costumes Despina Zacharopoulou production Vlaamse Opera coproduction Holland Festival, Opéra de Lille en Wagner Genèva Festival, Théâtre de la Ville Paris, Troubleyn/Jan Fabre, Concertgebouw Brugge

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