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With The Pyre, the French-Austrian theatre maker Gisèle Vienne has created a hall of mirrors in which nothing is what it seems, a story in which the abstract and the concrete constantly reflect one another. Dancer Anja Röttgerkamp moves through a pulsating lighting design hinting at the bright lights of the big city, a disorientating environment which is enhanced by a complex soundscape. Stripped of all realism, the dancer becomes a kind of 21st century icon. From this charged abstraction the piece develops into a more concrete narrative, introducing a boy, who is related to the dancer. Together they try to escape from the story that has been written for them.

  • © Gisele Vienne

credits

concept Gisèle Vienne direction Gisèle Vienne choreography Gisèle Vienne scenography Gisèle Vienne music KTL, Stephen O’Malley, Peter Rehberg live performance KTL, Stephen O’Malley, Peter Rehberg sound direction KTL, Stephen O’Malley, Peter Rehberg text Dennis Cooper light design Patrick Riou costumes José Enrique Ona Selfa video Robin Kobrynski concept stage design LED Lightdesign Producer, Designgroup Professional GmbH performance Anja Röttgerkamp, Lounès Pezet cast Anja Röttgerkamp, Lounès Pezet coproduction Opéra de Lille, Le Parvis/Scène National de Tarbes, Centre Pompidou, Les Spectacles Vivants, IRCAM, Comédie de Caen, Centre Dramatique National de Normandie, Festival Automne en Normandie, Scène nationale d'Evreux, La Bâtie Genève, Centre de Développement Chorégraphique-Toulouse, Centre Dramatique National Orléans, Loiret Centre, CCN d’Orléans, Malta Festival-Poznan, Holland Festival, International Summer Festival-Hamburg, Künstlerhaus Mousonturm, Next Festival, Eurometropolis Lille-Kortrijk-Tournai en Valenciennes, BIT Teatergarasjen, Festival de Otoño a Primavera, IDEOLOGIC ORGAN, Bonlieu Scène nationale d’Annecy with the support of La Monnaie/DeMunt, The Swedish Arts Council, Festival Actoral, P.O.L., Kaaitheater in the framework of TRANSFABRIK

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