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‘I do not want to be first but rather last. The faster the world moves, the more I slow down. I go against the current. Like salmon. For a ‘codista’, the world is the other way around’. When he lost his job, the Milanese Giovanni Cafaro began waiting in line for others in exchange for money. The actress Marleen Scholten used his story as a basis for her monologue La codista. It turned into a story about waiting in line (‘la coda’), about putting yourself in someone else’s shoes and about the impatience and desire that is a part of waiting. Scholten lives in Italy and for this project interviewed various Italians about how they experience standing still and what it means. In addition, the actress stood in line for hours, for example at the post office or the tax office, in order to experience for herself the mechanism of waiting. She found chaos and simplicity there, people coming together someplace with only one purpose: waiting their turn. La codista is a personal piece about identity and the desire to slow down sometimes. Scholten was awarded Italy’s Antonio Conti national playwright’s prize for the piece. ‘La codista’ waits her turn together with the audience. As of June 5, modified rules apply to venues with a capacity of less than 50 people. Audiences for La codista no longer need to be tested.

credits

by Marleen Scholten assistant director Dafne Niglio light design Emanuele Cavalcanti costume advice Lotte Goos production Acteursgroep Wunderbaum coproduction TRAK, Theater Rotterdam residence OTSE Officine Theatrikes Salento Ellada in participation with Embassy and Consulate General of the Kingdom of the Netherlands in Milan with the support of Kilowatt festival, Centro di Residenza della Toscana thanks to Zona K-Milano, Liesje Schreuders, Umberto Angelini, Bas Ernst, NTGent, Pietro Valenti, Paolo Aniello, Giovanni Cafaro, Paolo Mastromo