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Ruang Suara (‘soundscapes’) showcases a new generation of Indonesian composers. The most striking feature of these pieces is the innovative sound palettes they create, their use of theatrical and visual elements, and how they place traditional vocals and instruments in a new musical context. The compositions are the result of an intensive exchange process that Ensemble Modern from Frankfurt set up to provide the composers with a platform. There will be a world premiere at the concert: the acoustic noise duo Senyawa (Wukir Suryadi & Rully Shabara) and the ensemble will play a new work commissioned by the Holland Festival. The concert shows the sound of modern Indonesia. Programme

Taufik A. Adam (1975)

Balayia (2015)

 

Rully Shabara (1982), Wukir Suryadi (1977)

N.N. (2017)

world premiere

 

Dewa Ketut Alit (1973)

Open My Door (2015)

 

interval

 

Gema Swaratyagita (1984)

Da-Dha-Dah (2015)

 

Stevie Jonathan Sutanto (1992)

Mata and Senar (2015)

 

Gatot Danar Sulistiyanto (1980)

Mihrab (2015)

 

folk from strictly Islamic Aceh, to modern  Indonesian composers. 

 

We show collaborations which transcend boundaries from artists from different corners of the archipelago. Rahayu Suppangah wrote the music for Setan Jawa, a new silent dance film by Garin Nugroho. Indonesian composers and musicians work with Ensemble Modern from Frankfurt in Ruang Suara. We are presenting A Night in Indonesia in Paradiso, with the latest music from the Indonesian underground, including the EDM duo Filastine & Nova Ruth and Senyawa’s acoustic metal. At the Holland Festival Proms the visual artist Jompet Kuswidananto is presenting an opera installation about censorship in art. The audience can also enter the Temple of Time by the Indonesian-Dutch composer Sinta Wullur. The context programming explores topics such as Javanese mysticism and joint Dutch and Indonesian historiography. 

 

Discover the sound of modern Indonesia.

 

Following the focus on Turkey and its neighbouring countries (2015) and on the Edges of Europe (2016), this year’s special focus is on music from Indonesia. In the islands, many styles and genres exist next to each other in a fascinating way. We present a selection of contemporary work: noise from the streets of Yogyakarta and

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The project Ruang Suara began on the initiative and in collaboration with KfW Stiftung and Goethe-Institut Indonesien in Jakarta in October 2014 with Indonesian composers exchanging ideas with the German composers Johannes Schöllhorn and Manfred Stahne, along with members of the Ensemble Modern. Eight Indonesian composers

The project Ruang Suara began on the initiative and in collaboration with KfW Stiftung and Goethe-Institut Indonesien in Jakarta in October 2014 with Indonesian composers exchanging ideas with the German composers Johannes Schöllhorn and Manfred Stahne, along with members of the Ensemble Modern. Eight Indonesian composers

subsequently travelled to Frankfurt, in January 2015. Each of them developed a composition on the basis of this visit. Those eight pieces were later performed as part of concerts in Frankfurt, Jakarta, Yogyakarta and Bandung. The Ensemble Modern will once more showcase a selection of these pieces at the Holland Festival. The collaboration process was also recorded for posterity by British-Ethiopian video artist Theo Eshetu, in a film that will be shown at the beginning of the concert programme.

The project brings together two entirely different approaches to music: on the one side the Western one, in which the composer writes down as much as possible in the score, and on the other the Indonesian, in which notation mainly serves as a prompt to memory, numbers are often used in place of staves and the composition only really takes shape during the rehearsals and as a result of interaction between the musicians. The latter method actually does fit in some ways with the new Western practice of music, in which scores often give only minimal instructions and leave a great deal of freedom to the musician.

The eight composers come from different areas of Indonesia. Most of them were not educated in the Western tradition of composing. A number of them are mainly involved in electronic music and film in their home country. The concert they offer together will be filled with enthusiastic experimentation, but it is experimentation that comes from a deep-rooted awareness of the Indonesian tradition.

Every composer will give his or her own perspective on the encounter between Western and Indonesian music. Dewa Ketut Alit (Ubud) translates the harmonies and rhythms of the Balinese gamelan onto the Western range of instruments. M. Arham Aryadi and Stevie Jonathan Sutanto (both from Jakarta) combine Western and Indonesian instruments in their compositions and incorporate electronic and audiovisual elements. Joko Winarko (Surabaya) combines acted scenes with rhythms from the gamelan tradition and is fascinated with the Indonesian tradition of total art, in which theatre, dance, instrumental music and song blend into one. Ris Banbos (Jakarta) also combines the playing of Ensemble Modern with song, dance and the instrumental melodies of other participating composers. Rounding off the group are Taufik A. Adam (Jakarta), Gatot Danar Sulistiyanto (Yogyakarta) and Gema Swaratyagita (Surabaya), whose contributions explore new sounds and experiment with the body language of the performing musicians. The Ensemble Modern will also give the world premiere of a new work, together with the duo Senyawa (Yogyakarta). Senyawa is a duo made up of Rully Shabara and Wukir Suryadi. Senyawa combines elements from the traditional music of Java and Sulawesi with punk and metal influences, with Suryadi playing homemade instruments and Shabara using extreme singing techniques.

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credits

music Taufik A. Adam, Rully Shabara & Wukir Suryadi (Senyawa), Dewa Ketut Alit, Stevie Jonathan Sutanto, Gema Swaratyagita conductor Bas Wiegers performance Ensemble Modern, Senyawa, Taufik A. Adam, Joko Winarko production Ensemble Modern with the support of KfW Stiftung (Germany)

This performance is made possible by