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Karlheinz Stockhausen has been a special guest in the Holland Festival’s 70-year history. In 1996 he wrote Orchester-Finalisten, for ensemble and electronics, especially for the festival. The musicians in this theatrical concert work – students from the Royal Conservatoire – depict finalists in a contest ‘auditioning’ with solos. The work is part of Mittwoch (Wednes­day), one of the seven days and operas in Stockhausen’s legendary opera cycle LICHT (light). Orchester-Finalisten is a prelude to the marathon performance the Holland Festival will be presenting with Dutch National Opera and Royal Conservatoire in 2019: aus LICHT. The concert on this evening starts with the Dutch premiere of NEBADON, for horn and electronic music, which – like the world premiere – is performed by Christine Chapman. In both pieces the audience is surrounded by speakers. Programme

20.30 – 20.55 Nebadon (22’)

20.55 – 21.15 Interval (20’)

21.15 – 22.05 ORCHESTERFINALISTEN (46’)

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credits

music Karlheinz Stockhausen sound direction (NEBADON) Kathinka Pasveer sound direction, sound projection sound engineering, sound projection Jan Panis, Renee Jonker flute Tirza Leenman oboe Leon Westerweel clarinet Daniele Zamboni bassoon Sjoerd Frishert French horn Simão Caetano da Fonseca trumpet Christopher Collings trombone Nuno Silveira Texeiro tuba Giedrius Steponaitis percussion Josselin Antoine violin Marieke Kosters viola Elisa Karen Tavenier violoncello Begonia Chan double bass Miguel Moreno Traba

This performance is made possible by