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Jude Law plays Gino, a stranger who ends up at Giovanna (Halina Reijn) and Giuseppe’s (Gijs Scholten van Aschat) roadside restaurant. A passionate affair arises between Gino and Giovanna. They forge a plan to murder him. Visconti’s Ossessione (1943) is both a classic crime story and a powerful social drama about what passion can do to people. Ivo van Hove has made a stage adaptation of the film with English and Dutch actors – which is based in turn on the novel The Postman Always Rings Twice (1934). Obsession is his fourth Visconti adaptation, and a grim vision of the dangers and desperation of life on the edges of poverty.

With his first feature film Ossessione (1943), Luchino Visconti (1906-1976) is a founder of neorealism in Italian cinema, a movement focusing on the struggle for survival of the poor working class in economically and politically hard times. They are rough and harsh

With his first feature film Ossessione (1943), Luchino Visconti (1906-1976) is a founder of neorealism in Italian cinema, a movement focusing on the struggle for survival of the poor working class in economically and politically hard times. They are rough and harsh

films, invariably shot on location. Ossessione poses the question: Is freedom in poverty to be preferred over being restrained but wealthy? Visconti based his scenario on The Postman Always Rings Twice, a classic crime novel by James M. Cain with a ruthless view of the bottom of society. 

 

Director Ivo van Hove says that this film shows passion as an idealized image of the love between two people and, at the same time, the inability to make it last forever. He explains: ‘Along a deserted road, the vagabond Gino stops at a garage and roadside restaurant, where he finds a job with Giuseppe and his oppressed wife Giovanna. Like a cougar – powerful and gracious – Gino enters the territory of Giovanna. They mate. The seduction between the two predators is so strong that they decide to kill Giuseppe. But this crime does not bring them together. Gino is unable to stay in the same place for long and Giovanna has become too much of a domestic cat. The power of nature and the power of society devour their desire, their passion.’ 

 

Obsession will be Van Hove’s fourth project based on Visconti. He also directed Rocco and his brothers (Toneelgroep Amsterdam and Ruhrtriënnale) and Ludwig II (Münchner Kammerspiele). In July 2016, he created Les Damnés with the Comédie Française for the Festival d’Avignon at the Cour d’Honneur of the Palais des Papes. 

 

This special international coproduction with the Barbican Centre and Holland Festival premieres in April 2017 in London with a cast of English actors and actors from Toneelgroep Amsterdam. It will be performed entirely in English, with Dutch surtitles. The role of Gino will be played by Jude Law, who has previously played exceptional roles in both theatre (Henry V, Hamlet, AnnaChristie) and film (Sherlock, The Grand Budapest Hotel, Side Effects, ColdMountain). Dutch actors Halina Reijn and Gijs Scholten van Aschat will play the roles of Giovanni and Giuseppe.

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credits

direction Ivo van Hove scenography, light Jan Versweyveld adaptation, dramaturgy Jan Peter Gerrits video Tal Yarden, Tal Yarden costumes An d’Huys English language version Eric Sleichim UK casting Julia Horan CDG assistant director Jeff James cast Halina Reijn (Hanna), Gijs Scholten van Aschat (Joseph), Jude Law (Gino), Robert de Hoog (Johnny), Chukwudi Iwuji (The Inspector), Aysha Kala (Anita) production Barbican Theatre Productions Limited, toneelgroep Amsterdam co-commissioned by Wiener Festwochen, Holland Festival coproduction Holland Festival, David Binder Productions

This performance is made possible by